Jan Schneider (born Munich, 2 June 1970)

  • 1996  Graduate in communication design, Munich technical college
  • 1996–2000  Graphic designer (print)
  • 2000–2005  Set designer and 3-D modeler (video games)
  • 2009  Graduate in set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
  • 2009–2014  Assistant artist, dept. of set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
  • since 2014  Lecturer, digital image design, dept. of set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
  • since 2014  Freelance concept artist and set designer for animation and live-action film

Movies and Projects (Selection)

  • 2014, DER KLEINE RITTER TRENK, Set Design (Director: Anthony Power)
  • 2015, HERR LENZ REIST IN DEN FRÜHLING, VFX (Director: Andreas Kleinert)
  • 2016, SAG MIR NICHTS, VFX (Director: Andreas Kleinert)
  • 2017, KUNDSCHAFTER DES FRIEDENS, Previz and Painting (Director: Robert Thalheim)
  • 2018, TKKG, Concept Art and Painting (Director: Robert Thalheim)
  • 2017 - 2019, DRAGONRIDER, Concept Art, Set Design and Matte Painting (Director: Tomer Eshed)
  • 2019, CAMILLA PLASTIC OCEAN PLAN, VR Experience (Idea: Angelica Böhm)
  • 2020, THE BILLION DOLLAR CODE, Concept Art and Previz (NETFLIX, Director: Robert Thalheim)
  • 2021, LUDEN, Concept Art and Previz (amazon, Director: Laura Lackmann and Stefan Lukacs)
  • 2022, EISENSTEINS HOUSE, VR Experience (Idea: Tatiana Brandrup)
  • 2023, ONE TRILLION DOLLAR, Concept Art (Paramount+, Director: Florian Baxmeyer, Isabel Braak)
  • 2023, DIE ZWEIFLERS, Concept Art and Graphics (Director: Anja Marquardt, Clara von Arnim)
  • 2023, THE EMPRESS, SEASON 2, Concept Art and Graphic (NETFLIX, Director: Barbara Ott, Maximilian Erlenwein)
  • 2023 - 2024, ROMANISCHES CAFÉ, VR Experience and Animation (KulturGut, Idea: Katja Baumeister-Frenzel)