Jan Schneider (born Munich, 2 June 1970)
- 1996 Graduate in communication design, Munich technical college
- 1996–2000 Graphic designer (print)
- 2000–2005 Set designer and 3-D modeler (video games)
- 2009 Graduate in set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
- 2009–2014 Assistant artist, dept. of set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
- since 2014 Lecturer, digital image design, dept. of set design, Konrad Wolf University of Film and Television, Babelsberg-Potsdam
- since 2014 Freelance concept artist and set designer for animation and live-action film
Movies and Projects (Selection)
- 2014, DER KLEINE RITTER TRENK, Set Design (Director: Anthony Power)
- 2015, HERR LENZ REIST IN DEN FRÜHLING, VFX (Director: Andreas Kleinert)
- 2016, SAG MIR NICHTS, VFX (Director: Andreas Kleinert)
- 2017, KUNDSCHAFTER DES FRIEDENS, Previz and Painting (Director: Robert Thalheim)
- 2018, TKKG, Concept Art and Painting (Director: Robert Thalheim)
- 2017–2019, DRAGONRIDER, Concept Art, Set Design and Matte Painting (Director: Tomer Eshed)
- 2019, CAMILLA PLASTIC OCEAN PLAN, VR Experience (Idea: Angelica Böhm)
- 2020, THE BILLION DOLLAR CODE, Concept Art and Previz (NETFLIX, Director: Robert Thalheim)
- 2021, LUDEN, Concept Art and Previz (amazon, Director: Laura Lackmann and Stefan Lukacs)
- 2022, EISENSTEINS HOUSE, VR Experience (Idea: Tatiana Brandrup)
- 2023, ROMANISCHES CAFÉ, VR Experience (KulturGut, Idea: Katja Baumeister-Frenzel)
